META-NOMAD

Dec – Prim – Storm King

Storm King’s Grim Omen codes in. Car beep, virile codification of the human subject into identity fragmentation. Repetitive synth articulating the content-future of a thousand-thousand docile subjects. Enjoy your stay. Skin numb to the device writhing into arteries. Pale flesh drifts downward into hive-sleep. The background muzak assembles LA-street hymns into a sombre, paranoid evening sweat. 70’s Cop Car chase ignites momentary spinal sensation, passers by de-click from screen sleep and gaze upon the epileptic moment. They drift out of sight and the crowds return to the hum and warmth of k-addiction, k-time.

Marshall Sahlins writes “If economics is the dismal science, the study of hunting-gathering economics must be its most advanced branch.” (The Original Affluent Society) and herein lies my trajectory for shoehorning multiple thinkers and writings into a Decelerationist/Primitivist mash. To begin with even the idea of a pre-industrial, or more aptly, primitivist-economics poses an interesting question with regards to primitivist capital? Within a primitivist society does capital lie? It’s not money, for this does not exist. Potentially food, or tools etc. though these things seem to be taken care of and a part of an egalitarian system as opposed to a bartering system. One could argue that knowledge/intelligence is the true form of capital and thus primitivist societies are not free from its grasp. Yet, primitivist societies inherently wish to move/progress further than point X, and thus to systematically streamline or machinize the work up to X would be fruitless, superfluous, for if techno/industrial/religious/ideological progress or progress-in-general is not your aim what’s the point in rushing. The very act of rushing is entirely deconstructed within a society which has no desire to accelerate. Capital has little room for contentment or complacency.

Cleanse the Metropolis, a prayer to the group of cyber-teens squandering time. Leaning against glitching douglas firs their eyelids flicker to the rhythm of derelict neon. Synth emanates the mall, waking none from the caustic glow of a dying consumer-chapel. Bodily micro-vibrations akin to old cartoons; “Mom! Garfield’s legs are rotting, why is the screen green and blur and over…” Brain chemistry frenzy. Cross-referenced memories collide in bio-space causing time to splinter – “Hey kids, you don’t even know when you are.”

So this leads towards that which can be deceleration, which is namely that which can remove the desire for capital all together. Within a primitivist society the act of work is wrongly named ‘work’. For the connotations connected with the term ‘work’ are now heavily burdened by a post-industrial society, or, you’re thinking of a shoddy 9-5, you’re thinking of that which is done as a means for survival in the 21st century, money in the bank, rent paid, groceries bought. Yet the work of a primitivist society – often romanticized – is in itself an act of immanence, a process which draws multiple lines between humans and nature; not the act of erecting a fence, but the act of accepting the presence of what is now not-Other, a bird or squirrel etc. Post-industrial labour is merely lost being. Taken labour, taken soul.

//LOAD_VR: nostalgia2_1986.exp a multiplicity of Simpsons stills melt atop the closing shutters. You can’t remember the last time your eyes weren’t heavy, the last time you smelt an origin, the last time panic was a possibility. The beat here jolts accordingly to the memoirs of youth sat before the Atari’s warm glow, a better time found within the truth of polygons. Fade back to the mall. Slow and too steady. If you stare forward long enough it combines into a tech-nothingness, false balsa wood, beige roof patterns, off-white gloss, radio tremble and the smell of dry rain, nostalgia for the bland.

Quite honestly I didn’t see myself leaning from accelerationism, at least in the abstract, quite so violently and quite so quickly. But as – one of many – exit options for myself is that of a homestead, the ideology of primitivism, or potentially paleo-Agorism, seems quite agreeable. One cannot deny not just the potency but the astonishing eruditeness of Ted Kaczynski’s Industrial Society and its Future (ISAIF). The connection between progress-for-progress sake and leftist inferiority complex is quite revealing. The continual need for a ‘minority’ holds within it the leftist belief that in fact there is a hierarchy. They must see and accept for otherwise they would not know who to help, they need the lower rungs of the ladder to use for their own signalling.

Mama Don’t Like A Tattle-Tale. Hey now, hey kids, hey now, buy this…buy this. Glam-rockers arrive on your lawn. Stiff-glitching vertically, side-to-side, Their hair can’t keep-up. 1986 called, it wants its lag back. You feel that first layer of 30’s fat rolling over your jeans. Eddie Van Halen jumps into cyber-death, identity-pixel-blitz eruption and the 80’s die.

And yet what Kaczynski’s magnum opus revealed to me, even more so than its primitivist attitudes or anti-leftism, is the trajectory freedom and the idea of freedom takes under an industrialized society. The immediate thought that sprung into mind mid-read was that – quite ironically – of the possibility of a contemporary western nomad. What of he whom wishes to exit, though it has been said many times, what of he who truly wishes to? Even if it means he succumbs to a societally perceived regression? Or, what of he whom wishes to simply leave and live in peace in a forest or clearing, in an un-used quiet peace of land, he whom wishes to be he own. If a man cannot just go into the woods and live off his own back without ‘state’ intervention, then be sure that man is not free.

v a p o r  l o u n g e 2 0 4 8. Wild nature filtered into a palm tree past. 33 waiting rooms layered into a single dental visit, the receptionist keeps locking eyes, you’re sweating. As you go to caress the tooth of pain you swirl into the sticky leather. The palm trees leaves begin to jive. Reverend Abscess arrives playing a jazz-organ. “Hey boy! Lemme look at them there whites. Open wide.” You’ve become sofa, and your mouth cranks open. “Damn son, you be vapin’…keep at it.”

Meaning comes so easily to Kaczynski. Within ISAIF meaning is synonymous with purpose. And as such Kaczynski sees our contemporary ‘leisure’ activities as ‘surrogate’ activities, that which is extra and thus not of direct importance, yet his emphasis here is upon a world in which there exists only surrogate activities. For the primary acts of survival, of gaining water, food and shelter are catered for practically atop a silver platter. Ones day long hunt for a few rabbits is condensed to a medicinal shopping aisle of pre-packet gunk-meat. A multi-month harvest is altered to tinned carrots, tinned peas and tinned corn. Contemporary labour takes away soul, because contemporary labour has little, if not nothing to do with your life. The metaphysical lacuna between the act of filing insurance papers and the act of harvesting ones of own veg patch is so vast that there can never be a connection.

Witchburner And the roots shall rise into industry and demachinize the cogs. The ferns shall grow through glass, shattering layer upon layer of progress. Wild nature…wild acidic nature simultaneously takes its damn time and is quicker than you’ll ever be. Every curb, every concrete void succumbing to the rampant spread of green! Hail king Dandelion! Master of the collapse. Bunkered down, hunkered down the humans tremble as the grass grows tall. Collaboration between oil, sky and greenery. A thick covering of prim-smog. Long live the Earth’s flesh!

Upon further inspection one finds that the majority of data pertains to the fact that ‘health’, actual meaningful, soulful health was far better before industrialization. Not just physical, but mental health. The majority of contemporary anxieties arising from physically non-existent bureacratic acts of bitterness, worry, hate and depression stemming from the hellish reverberation between what one can and cannot do. The list of things upon the latter list grows day by day, week by week…as the former shortens, a continual penning-in of a race once accepting of its nature.

Analog Human Resistance there exists a commander, deep underground, he listens to Jeff Wayne’s War of the Worlds nightly, he thinks himself a proto-John Connor vs NatureNet. Standing upon a mound of boxed fidget spinners and vapes he proclaims: “Let us take back from nature what was never ours!” The analog hour is now!” And so come the grunts, the apathy of a billion useless humans, content to die in a world no longer bending to their whim. Humans cannot resist their home. Human conciousness dissolved into media-pulp. It is over.

“Contemporary records indicate that, more than once, both rich and poor wished that the barbarians would deliver them from the (Roman) Empire. While some of the civilian population resisted the barbarians (with varying degrees of earnestness), and many more were simply inert in the presence of the invaders, some actively fought for the barbarians. In 378, for example, Balkan miners went over en masse to the Visigoths. In Gaul the invaders were sometimes welcomed as liberators from the Imperial burden, and were even invited to occupy territory.” – Joseph Tainter

FIAT GLADIO gladiator arise from the non-burning, arise from the under and overgrowth, arise into the a world born-natural, into the world without mask. Tech-Gladio programmed by Arthurian legend, master of the stone, the industrial from the natural, a true proclaimer for continuation of the abusers! March towards the evolving mall-wrecks, the cars-turned-orchids, the satellites-cum-fly-traps. Pre-programmed human-history detritus stood before wild perfection!

He laughs as he clicks the ‘order’ button for another pallet of sardines. Smashing the toaster into a thousands pieces “Primitivists don’t have toast, Earth rules!” Naked, covered in tar atop the kitchen table he screams.

Culture Terror walking forth into physical memory. The parks gone, swingset eroded and nostalgia sodomized by the agency of the grand Mother. Gladio marches year upon year, finding nothing but the remains of apathetic industry. Slowing, trembling, slowing and cursing, to a crawl…to a stop. Bug-covered, rusting and leg-vined, Gladio halts a final time, physically unable to move from the undergrowth. The final robotic remnant of humanity forever encased in a labyrinth of wild-thicket, eternity passes before its eyes.

Let’s see where this goes…

Corruptor/Depopulator oh what terrors eternity can bring! My son you shall witness, oh my eternal robotic human misery witness, witness, witness the rise and rise of Mother! Gladio’s steel lids held apart by dampened leaves. Never look away, never can you un-see the acidic terror of a wild nature unfurled! See your past, your future, your time entire splinter into non-recognizable patches of nature! Fields of green! Seas of green! Wooden supports holding up the Natura Aeternum!

 


Grim Omen – Lovecrypt

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Storm King Interview with Nishiki

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Review: digital americana mixtape

There’s an odd formation of ye olde Green Day grossness within the first strums, throw me a bone slices into a vibrant cocktail of pain, energy and remorse, the lyrics almost undefinable, reminiscent of a chaotic young-adult malaise spent amongst estates of dry grass. At once and all together you begin falling, a youthful freedom tinged with responsibility, deterministic punks.

eviction – entry of the DIY aesthetic ten-fold, crust and sludge combine into a harsh feedback of nausea-noise. Shoulders dislocate and the dancefloor rectangle spirals into a circular alco-chem-mess. The frame of the tracks so far a broken speaker, giving its all to the last, vibrations as formation. Caustic feedback as a musical resolution. Evicted from your ear drum’s expectations. and so damn angry‘s beginnings see reliable sincere angst mutate into something a little more digital, americana falling apart at the seams, becoming only capital-cana within the contemporary. Anger of the 21st century…exhaustion and apathy and the tap of a metal-machine, fractured digital output. There’s a sadness in the loss of the singular and fixed, yet what of an entire generation who knew no different.

happywaiting. A strange assemblage of notes, scrapes and whines, oddly jaunty and forgetful synonymously, the bar its own, its smell putting others off. cold shoulder to cry on quickly understands the subtle escape attempts of punks’ formative years, from the background, encased in a suffocative gauze of drone is the sincerity of a lonely musician attempting to scramble at the scraps, swiftly strummed into place by an faintly upbeat riff.

care, there’s lots of it within this album, a modest, warm and husky-late-night-sesh filled embrace of what went wrong. Withdrawing much of the energy from past artists, too many to name, into an exhausted, sympathetic and yet encouraging voice of a move forward, however bleak the first few steps might be. hellion 1, the digital disallowing true connection, a tinkered flicker and then dudbeats and 404’s spat into a sporadic frenzy. A heart palpitation run through melting vinyl. With bark alone testifying to the neutrality of your decision; western digital and western waste care not for what you do, just move. Post-nasal drip spluttered down strings.

walk with me allows the past to enter more thoroughly, a mid-morning, hot-sun jig with a beer, but everyone here senses that everyone here aint that great; feelin’ rough, hangover tough, dicky belly, foggy skull and over into the next morning, glugging down to bear the pain.

your heart’s too hungry. One of the best tracks I have the pleasure to review. A defiant sigh beaconed to no one, but fuck, why not. Maybe you should stop, maybe you shouldn’t, this album’s as pleasant as a hangover is going to get, your fear’s strange, not tacked to anything really.

Gotta admit, I went into a nostalgic trance for a bit there, :: i love you but, didn’t help, it takes me back somewhere I really can’t put my finger on, somewhere covered in annoyance and disappointment and yet, comfort. You only want to be horizontal right now, face perpendicular to the skies, colour don’t matter, you’re in your head…and you aint getting out for a while. Sorry champ.

 


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Review: CLWNWRLD PRESENTS: THE RINGLEADER’S SYMPHONY

You’re sat in this cafe, this cafe. The windows, the large, bowing panes of glass feel as if they’re vibrating, reflecting and strumming against bulb lines. Maleficent trembles as your entire glaze’s over, eyes over chips and under-others into a chem-soup. Into the muzak-home of a banal existence, falling backwards into plastic and mundanity as one does during a slow mourning; the daily march overstrung by a realist chorus of chiming techscape. [_Jester’s Bliss_] is our trance-trajectory into meditative k-scapes.

[_Train of Freaks_] is where the literal nature of the album awakens. The paranoia and intrusion of boxcart trivilations suffocates you, unable to focus on nothing or something, a constant to-and-fro of anxiety-sweats, too much coffee creates a beat-pandemic of repetition. Gaping caustic reverb mutating into authorative cluster-headaches. Don’t bother. [_Eyes in the Shadows_] does it too. We have two for the price of one on paranoid underground haste, flicking into ‘worst’-mode, coat-grip away from those. A spiralling tunnel-drone into your back as you refuse to turn. Haunted subways united the fears of the strange and mundane.

There’s calm in light, but only if one has just been removed from the dark, the reality is, the horror never leaves and a reminder of its existence only exacerbates your quivers. And your heart does this…thing, an expansion of the blood, cells collapse outward, muscle-pain, lung-stretch. Each deep breath acts as an aching reminder of life within the smog-pen. you, you… [_Drunkard_]. [_Leaf Lady’s Song_] tin steps past an arcade, a young lad without limbs drums on an arcade machine, rolling his head on the buttons in hope of hitting the big time. A Lynchian “Watch that man! Watch that man! Watch that man!” or “Hey! Hey! Hey…Sally!” with verbal elongation and smokers husk wouldn’t go a miss here; backstreets, fuck you, smoke behind the eyes.

[_Liz’s House of Color_] damn this thing kicked in.”Hey shut the fuck up im listening.” “Hasn’t that guy drunk 8lbs of coffee today.” the street flicks into anxious-time, a ripple effect under your feet and unto the morning into an eye-roll begotten. Teen tam tom and the trance rolls into a chased temporal agency, you want a headcave, watch this. Arcade boy has grow a huge leg and is stomping onto you, the subway train has stopped just out of sight and you just know the driver is reversing in hopes of finding you. Where’d you leave your bag? It had your Grandma’s polyfiller in it, she uses it to glue her teeth in. You wonder why the beat works for a second, just before it crashes. You’re finally home, resting your hand on your head, brain matter clicking into channel Z, LCD flickers in and out, tech-shutters and shadows of a neon sun fall upon your lids. Your sofa fucking hates your plump arse.

Sometimes my face shifts between 2 to 3 planes, flesh on flesh.

Laughter…from the rafters. Those little fuckin’ Deet Deets at it again. Beep boop. It will not stop. “Hey ma.” “Yes.” “?” “It’s been going on for days love, just ignore it.” [_A Midnight Conversation_] has begun. Over and over, then, then, the phone rings, a long jaunty ring, puts me in a fun panic. We call it happy sweat, the perspiration becomes faster, and faster, I spew sweat like jets from the innards of my elbows. I gotta sit down. I can’t, I’m still on the fucking train. Clowntime is in. Loud, open mouths produce rotund boops. They arch forward and back, faster each time, throwing their heads back and forth, smiles getting wider, and not a hair on their clown heads moving. Static comedic pulsating on a train. A pivoting immovable nightmare, I try to move, they all scream. Clowntrain baby! They march. The nightmare you have to sit through, acknowledging the pain one is about to suffer prior to suffering, this is hell. yet, sometimes, the pain doesn’t come, and one is left into a clicking-coma of worry.

Off you fucking get. The train doors were made of bio-waste. They sludge in and you step off. The ride keeps going. Out into [_Hollow City_] you know you’ve left this time, there’s no light. Just heavy beams of dark glow. You just want to walk. [_New Life_] plays like a pleasent Nintendo game, a farming sim. A warm summer where you kissed a girl once fades into memory, skyscrapers dissolve into the background for a momentary glimpse of contentment [_Perching Square_] Look at this fucking idiot. indeed. it’s clownworld, screech time clicks into gear, mechanistic screams for dumb human dreams. Try move, bitch. No movement, only submission to any clown who wonders by, an old animation where the lines are schizophrenic. Resist. The end here is sincerely morbid, a melancholic death involving tech, I can’t explain this; there’s acceptance here, a deep acceptance…of the future, and all that it will bring, it is he who walks knowingly into an electro-static death space.

[_NUTMEG SESH_] OH ma BOY. You were prepared for the future you thought, you didn’t think it would be so malicious, and downright mean. watch it, watch it all. Every vice of the past flicked into overgear and assembled on a hedonistic plane of sadomasochism. Industrial sex-drive mashed into a flesh blend. [_Manifesto_] the utilization of the previous tracks work as a means to contextualize the death of coherence into a chasmic meltdown of sonics. [_Take a Hint Royal Jester_] but that’s the problem isn’t it, the future doesn’t take hints, the temporal jester throwing  himself into chaotic schizo-tonic, why don’t you take a hint, yeah…

 

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Review: subboreal – childhood’s end

Quaint electronic ticks and early morning coffees arise from a forgotten train journey, nothing more, nothing less. Trees pass and pylons tower overhead. Path, a path of electric and static through romantic shadows. Sonder & sadness both sewn into this metallic tapestry. A mind races, unable to enter fully into that they wish to, a book unread, a text not sent, as time passes without event to fill it.

Euthanasiaa stark title, pushing off with heart monitor remembrance, a pulse runs directly into a paranoid-loss. Overclocking your emotions into a palpitation ever-present, bulging and pulsing into veins flowing. The skyline has changed, your memories fading into an abysmal grey sludge, another beverage, another piece of the past disintegrates into wishes. There’s a lust for warmth here, a need, a want, for warmth and for a care that cannot be found amongst forgotten chips darting vertically from a washed-out landscape.

You can’t ignore the future, you can only inject nostalgia into your circuits as more and more fear washes over you. Journey, it’s ever present and the dreams a fleeting glimpse, the only hope for what it was you had: the screens, ticks, beeps and slides all melt forwards into ruining your vision, inescapable temporality has entered the memory of your earliest birthday parties, cutting the cake instead of your parents, bundles of wires where friends used to be, a static hum is sung amongst the revelry.

Mind entering a panic drive. Attempts to enter somewhere forbidden, not stopped, only warned against. You may enter here, but be warned, you’ll leave a different entity. Worship cyber and bring forth the cold of metal. Bags getting heavy and the sting of your ill red skin worsens. Harmonic aluminium hell. Screech melodics enter into the mundanity, you can’t sleep for fear of waking into more electrical-detriment. Each sombre-tone erased, ever so slowly. Each placid inch of help and love grows downward, rotting as it falls. It’s over. But it still has to continue.

As the sterilization comes, you’re already anaesthetised by the suffocation and fall, quietly into a bed made of humming. Bone splinters and spinal plunge, take the hand of steel, let go of flesh, of life, of sense. Come forth into repetition pure. We can give you your memories back for a second or two, it wont help, but the illusion of help might be nice, amongst your trees of youth, horizons lost to polite play, everything you had, had, had.

Short, but then childhood is.


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Review: Canned Meat – Soundtrack for Over​-​the​-​Counter Pharmaceuticals

Soundtrack for Over​-​the​-​Counter Pharmaceuticals R E V I E W

Facing eternity within a flesh-based ontology. The sky here a deep static, orchestrated from the past. Pharma-scape exists as a soundtrack prescription to a mundane life.

The unique nature of medicinal stench hits my nostrils, pharmaceutical stores reek of desperation:

Hey Chap, why don’t you get fucked!”

I collapse into a flesh heap and we begin.

I am with the floor, strewn sack of bone-coverings emancipating gallons of vomit-inducing sweat into every aisle. Pillboy climbs onto the counter and spins on one leg, shin-bone freeing itself, firing a flag-dart into my spinal column. Sweat Angels in Bedsheets he repeats over and over and over, increasing in speed, until it blends into delirium, a chaotic mixture of opiate brain-chasm and rust filings…eventual release into a swamp of tinnitus. Floor trembling, hurling chunks of rotten pill-dogs into the cities ventilation shafts. The city sleeps perpetually, in an ever pulsating slumber of hell-dreams. Upon waking the transition is so smooth one knows never where ‘n what ‘n when they are and the drums continue until the your head is ache.

– f l e s h d e s c e n d s – Sun-Ra Spirals – f l e s h d e s c e n d s

Revelry of nomadic om descends from a pill-legume heaven, a transcendent symptomatic malaise covers all. Minor ticks involved within the rare behaviours – they’ll pass with time -, none of this is psycho-somatic, it’s pure pill dictatorship as the static rises into a cacophony of hellish drone-time.

Downwards the effects begin to take place, beginning to rise and fall. Your sweat jumping out and back in, each and every gland attending and expanding for its own nausea. You pile them to the back of your throat as the plastic wrappings melt into a sludge trickling off your teeth, singular affects combining into a distorted enlightenment. And stop. The eye of the storm has malformed beyond comedown into dark-tranquillity, plateau-time is now. A member of the union shouts from afar:

Do you have enough electrolytes boy?”

I return a quip “Ktttssexiphenxetopratenzenzapetsatoladrine! Ine! Adol! Ine!” as each layer of my psyche flickers over the next and under the former, causing dopamine collapse. Each plateau ascending into a higher level of melodic chaos, each second attending to the caustic end of a dirty VHS reel, dragging its tail through pharma-splinters in the hope of death.

Foaming Blood isn’t attending any of your polite shit, as each tooth rots from the root until all that’s left is bone-foam, lunging up from your gums, out of mouth, dissolving floor. Vibrations loosen each socket of your being, until simulacrum of tremble. You’ve been invited to what looks to be a short melody, allowing you to recompose the overdose into a worse structure, you begin to survey the damage, your psyche has been dismantled and workers are feasting on the separation. They’re having a party, with the splayed relic of a collapsed lung as the centrepiece, each singular line is an impossibility, vibration and repetition initiates a confusion in the crowd, rampant idea-incest begins prior to the Hellenistic vomit ritual. Follow the bile-brick road: lines of micro-workers, each holding a white blood cell, dance in perfect time, retching gut drippings into your veins and stems. You’re being remoulded, legs of concrete, head of medication-Jell-O.

A clip of humanity comes through the blood-film atmosphere, its crass nature pauses all efforts of frivolity as we’re taken back to a dead Eden. Dead Eden pretending to care, the chimes made of pill-casings, and the harps assembled from tendons. Eat from the tree, eat from the floor, eat from the snake, for it’s all pharma. We can help you feel how we want you to. A nationalistic repeat covers the world, salutes from all, cover your heart before the mulch it’s become drips out. Rib-ache. – Waiting for the Scalpels to Arrive in the MailThere’s a point in time wherein screams become futile, not because of atmospheric lack, because of pure aural suffocation, a drill like odour hum so violent your widened mouth crumbles, lips melt into one another, flesh decelerates into a pulp-casing.

Allowed subtle reminders of pharma worship, knelt before gates made of ache and crush. The devoted allow their migraines, for hope of pharmaceutical intervention. They beckon and descend down each vein, each slower than the last, your kneel becomes compulsory. Kneel before the great dispenser and pray for a maggot sized helping. Lines of skulls jerk in time, choreographed seizures act as sacrifice. Arms lift themselves, skin brings with it heavy bone, perpetual fracturing. The ground entirely grated metal, to allow for extension seepage. Hell is a repetition never interrupted, a repeat so loud no sound can enter. The great churn begins, knee caps fragment, flying through each orifice. Your entire being is displaced into a welcoming tumour. There’s no layers here, plateau eradication as the perpetual swirl gears in. The dark meditation, allies with the alien Cancer. A job of death. The purpose of an existence is to end another’s. Eternal drug-spiral within an unconscious mass of breathing tissue. Becoming-fever, sweat-session, hallucinogenic-nausea: The Cancer Killing Bees Part II is over:

Rewind the serotonin tape please…ple…pl…”


Canned Meat

Lovecrypt

Review: Nishiki Prestige – XOXO

The factory of LOVECRYPT came to me via the incessant malaise of ‘Weird Twitter™”. A basic-bitch search for fresh music isn’t going coax it into appearance. It disturbed my interests due to its extrovert leanings on the esoteric, political & philosophical. – “Who taught you how to write about music?”

No one. But I jus’ listened to that there XOXO by Nishiki Prestige, and I sure as h-hell wanna dish my digits into the keyboard, see what falls out, you know?”

“nO one will hire you.”

“HELLO! And welcome to the album review for Nishiki Prestige’s XOXO, an album put out by LOVECRYPT FREQUENCIES. And boy oh boy oh boy, we have one hell of an album for you. Help help.”

To digest the few remaining ashes of music journalism, tasty little titbits of shit. The problem here being that the factory-esque vision of marching k-ants divulged by XOXO’s first track 10 Years has seduced me into a rotten disorientation. Thrown into an insta-nostalgia for a future within its own creation; I’m witnessing a labour-march, an assembly line.

 

And When Grew Up Way Too Fast climbs down, the disorientation diversifies into chasmic slows and rises; the birth of constant beginnings, every halt ‘n jerk is a possibility for another circuit and direction, towards another musical commodity. And this creative spasmodic zombie rides high into Haunted Stars hounding with it large areas of tonality and pressure, both of which are teased continuously; a melodic form of stress. The first of many tracks in which the past is captured and held in the background, seeping through when the pipe occasionally bursts: retro-static bulges and nostalgic urges of known music appear.

Let me tell you this boys ‘n girls. The whole damn thing is like Burrough’s dirty K-offspring. A big ol’ fancy pants article, that could well be non-linear. Deleuze would say oh boy maybe they just well damn get it.”

The fragmentary consumer aspect of Apply to Broke Skin shifts inwards. Commodified medical plasters for the album itself, cornerstones of thought – Zizek on ACC – key themselves in. But not before we’re told to Celebrate good times, Celebrate Accelerate good times. The mandatory cause for Acc-celebration is the Acceleration itself. All is immanent.

The night-circuit science fictions surrounding Zuckerberg come to life in a hyper-circus named Zuck Theme, where the fun is but a simulation – we’re all on this programmed holiday. The relaxation accelerates. A harder relaxation for a premium member! The fun gets better! Just prior to the k-collapse as the test ends. Holiday-terminated.

The mellow tick-work of human flesh, its evaporation. Its comfort.

The slow embrace of a singular heroic hum. Melting into acidic launchpad.

 

“I like fast music.”

Julie, would you agree that one could say…if they so wished, that the grandiose themes utilized in this sporadic album would seem arrogant when used elsewhere, but here, amongst the disjointed quasi-hedonism of acceleration, they become gentle reminders of history eating itself?”

Oh Jonathan, I would agree, but I hate your filthy gut smell.”

 

Downtime was never invented as we hurl another into the grind. K-Goth. Those textural relics once seeping through are subsumed into consumerist submission just as quickly as they’re re-written, re-packaged and sold. Cybermemory is failing. Amongst Lifetime of Grey Skies one believes, that maybe, oh just maybe, there was someone onboard who could impersonate a pilot, because this sure is a friendly minute or so. But that lack returns – in Baby, If You Come that need for something revelling in its cyber-vitality, that acidic pinch of the fresh-take ad infinitum.

 

And the guidebook says: N O S T A L G I A FOR TOMORROW: no hope for today.

 

An attempt, I think dear audience, at articulation of the fact that acceleration is not synonymous with speed, and holds its real purpose and eventual terminal-degree in reformulation.”

 

Imagine a piece of data facing its eventual death, breathing its last. – I’ll Be There For You.

 

Future is a Machine would work well as a traditional end, but there’s no end to acceleration!”

 

* applause *

AND OH christ. It’s all capital R real and the rag ended cyber-guts trail off into this ephemeral, anti-tranquil hellscape. And as we sit arm in arm, hand in hand, bearing witness to the consumer horizon overtaking humanity, an aural assemblage of all that was provides the soundtrack to our demise.


 

A link/player to Nishiki’s album can be found below, along with various other relevant links:

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Nishiki Prestige Twitter

Meta-Nomad Twitter